Part II will deal with the use of the system of accentuation in the so-called "prose books" (or Twenty-one Books). van der Lugt January 2010 ISBN 978 90 04 18200 4 Cloth with dustjacket (xiv, 566 pp.) List. Introducing a New Paradigm for Hebrew Poetic Line-form. Cantos and Strophes in Biblical Hebrew Poetry II Psalms 4289. The recurring structures often place the various thematic aspects. Synopsis: This book explores the little-regarded phenomenon of the tricolon in biblical Hebrew poetry, that is, those poetic lines that appear to have a. Formal and thematic devices demonstrate that the psalms are composed of a consistent pattern of cantos (stanzas) and strophes. It is a continuation of the Psalms Project started in OTS 53 (2006). Pss 68 and 110) also could be read according to the Masoretic accentuation (3) reference to "a major disjunctive accent" is not sufficient, the value of an accent depends on its position within the complete syntax of Masoretic accents. This book explores the little-regarded phenomenon of the tricolon in biblical Hebrew poetry, that is, those poetic lines that appear to have a tripartite for. It is demonstrated that these poems exhibit a consistent pattern of cantos and strophes. This volume deals with the poetic framework and material content of the Second and Third Books of the Psalter (Psalms 42-72 and 73-89). In the present part (Part I) the poetic accents were studied and it has been shown that (1) the accents function according to a system which might also provide a guideline for the colometry of the text (2) the colometry of texts from the "poetic books" in studies referring to the Masoretic accentuation agrees to a large extent with these findings whereas it was demonstrated that the colometry of diverging passages (e.g. For that reason in this paper an attempt is made to give a systematic description of the Masoretic accentuation with regard to its use for the colometry of Hebrew verse. V36 Cantos and strophes in biblical Hebrew poetry III : Psalms 90-150 and Psalm 1 / by Pieter van der Lugt. de Moor and I have concluded, on independent. Cantos and strophes in biblical Hebrew poetry II, psalms 42-89 / by Pieter van der Lugt. A comparison of different studies referring to these accents demonstrates that such a reference is made in a rather ad hoc fashion, whereas the accents are not always interpreted in a consistent manner. Hebrew Bible is being read as poetry as well.3 In recent years J. "In this paper the recent use of the Masoretic accentuation as a means to establish the colometry in Hebrew verse is evaluated.
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